| August
'04
"Pride and Prejudice" is filming over
this summer, in various glorious locations (a nice change from
my last production, "Final Demand", which was set in
a telephone call centre outside Swindon). Pemberley will be Chatsworth,
no less, and the Bennet family home has been recreated at Groombridge
in Kent (last seen in "The Draughtsman’s Contract").
I went for a visit and it’s quite magical. The design team
has created a farmyard around it, complete with rare hens and
cattle and piles of manure. Inside the house is all dark panelling
and sconces and faded bedcovers. It’s appealingly earthy,
and a delicious contrast to the prissy Regency look one associates
with Austen. When Elizabeth Bennet goes into society – Rosings,
Netherfield – she’ll no doubt. find a more formal
atmosphere and conventional furnishings but her own home is wonderfully
tatty and old-fashioned, the house of a family on their uppers,
but also one filled with high spirits and laughter.
It’s a strange feeling, knowing that something you’ve written is
being filmed. It’s a sort of dream life existing along with your own.
Back in London (with my own hens in the back garden) I wonder what the actors
are doing now. When it rains I worry about them. The writer is the only person
whose job is finished, really, though occasionally I might be asked to do something – write
the props, for instance. I’ve just written the letter Darcy is writing
at Netherfield, when Miss Bingley and Elizabeth are in the room and Miss Bingley
looks over his shoulder and asks him to send her love to Georgiana, and tell
her what raptures she’s in, about her designs for a table. I adore doing
this – getting into Darcy’s head, imagining him trying to concentrate
with Elizabeth so close, pretending he isn’t affected by her. And all
the time Miss Bingley is flirting frantically, and fruitlessly, with him.
No more news about "Tulip Fever". I’ll have a chance to revisit
the paintings that inspired it later on this autumn when I’m giving a
lecture to the National Art Collections Fund. It’s in a series called
Fantasy Collecting where one does a sort of Desert Island Discs of works of
art that one would most like to own (November 8th).
I’m also appearing at the Edinburgh Book Festival on 18th August, at
the Beverley Literary Festival in October, at Cheltenham on 16th `October and
at Ways with Words at Southwold in November. I’ve finished the script
about the lion children in Botswana and am trying to write yet another draft
of the movie of my novel "The Stand-In", which has to be updated
to the present (I wrote the novel seventeen years ago and Hollywood has changed
a lot since then).
Have a great summer and do email me
if you fancy.
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